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We visited a random safe house pretty much in the middle of nowhere, independently run by a kind old woman who regularly gave away free HIV and hep-C testing, as well as free food and clothes and syringes for anyone who came in.
For a place as notoriously dangerous as this one, people’s general tone was positive, and good hearted. had once lived.ĭespite the surrounding damage, everyone seemed in good spirits. Curtis has lived in the same neighborhood for 25 years, not far from where Martin Luther King Jr.
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The locations you see in the movie are where he really lives, and while some scenes enact dramatization (the film is ostensibly shot on a camera stolen from some rich kids who’ve come to the Bluff to buy rolls and eight balls), the people and locations you’re brought into are who they are. Which is what makes the Snow on Tha Bluff project so compelling: Curtis and his crew seem unflinching in their willingness to make a movie about their dealing and robbing lifestyle. “The trick is not being able to leave the ghetto,” he told us, “the trick is coming back.” As we came along down streets lined with houses that looked like they’d come through a hurricane, boarded over and abandoned, torn to shit or half burnt down, Michael sat at the window looking out and thinking aloud about the strange shift in terrain. Most seemed to want their neighborhood kept to itself. I remember realizing we were getting near the Bluff when passing a group of men standing on the street shouted, “No pictures!” Most of the people we ran into throughout the afternoon not involved with the film made a point of this: Fuck cameras, and fuck you for aiming one at me. Atlanta is interesting in that cultural and economic divisions can often change from block to block, with hardly any bleed-over between expensive loft apartments and projects. It was hot and there were eight of us packed into a large black SUV, though we didn’t have to drive too long from the expensive midtown hotel where Michael was staying to the hood. Williams, best known as Omar from The Wire, interested in the production, calling Curtis “the real-life Omar.” A couple weeks ago the two met for the first time and I was invited along down to the Bluff to check it out. Buzz from the film’s trailer, as well as a video of Curtis talking about the long scar down his neck from when a guy slashed him with a box cutter while trying to get out of an $80 debt, got actor Michael K. It follows the daily activity of real-life dealer and stick-up man Curtis Snow, who actually lives the life displayed in the film. Snow On Tha Bluff, a new film set entirely on location in this hood, is a self-proclaimed “docu-drama,” mashing up Harmony Korine-like juxtapositions with stylized hood action.
Half the time you hear a street name-checked in Atlanta rap, it’s a street somewhere in here.
Even a simple Google search will reveal that if you’re looking for heroin, it’s the place to go, as long as you don’t mind ending up with a gun in your face.
Named as an acronym for “Better Leave You Fucking Fool,” it’s regularly ranked as the #1 most dangerous neighborhood in the city, and as of 2010 it was #5 in the United States. The Bluff is a part of Atlanta most people know well to avoid.
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